Chiriyakhana ( The Zoo) 1967
Chiriyakhana marks the coming together of many greats of Indian Cinema, and when i say Greats, i mean it.
The directorial craftsmanship of Ray, acting excellence of Uttam, storytelling of Saradindu Banerjee and the charecter of Byomkesh Bakshi( the true indian inheritor of sherlock holmes).So, when i started watching it,i expected nothing short of a masterpiece.And what i saw was nothing short of one.
Nothing, it seems, can take away the fire. Ray's eye for detail and the old magic of his genius can't let go of this one too, a tour-de-force. The camera is wielded like a conductor's baton as it strikes chords deep in the mind. For first timers watching Byomkesh,the characterisation is swift and deft and for Byomkesh fans,it takes his fan following to levels of fanatism.Be it the setting of his room, be it the phisophical talks with Ajit( His watson), the setting up of the suspense, Ray shows how a movie made in 1967 was still way ahead of its times, and one sadly feels while watching that no single bollywood director has been able to match up to this kind of filmmaking till now, even in the 2000s when the technology has advanced so much.Ray proves that a story and story alone makes a movie and nothing else!!.
I, in no way fit to review and comment on Ray would take the liberty of marking it as one of Ray's best, but in an interview with Cineaste magazine, Ray described Chiriakhana (The Zoo) as his most unsatisfying film. He said, "Chiriakhana's a whodunit, and whodunits just don't make good films. I prefer the thriller form where you more or less know the villain from the beginning(the format he follwed in Sonar kella and Joi baba felunath years later with one of his greatest muses 'Felu mitter' ). The whodunit always has this ritual concluding scene where the detective goes into a rigmarole of how everything happened, and how he found the clues which led him to the criminal. It's a form that doesn't interest me very much". It's after reading comments like this that you realise that how much of learning is still left in the art of Filmmaking.
Coming to the story, An out an out whodunit which takes place in post independence bengal, in a colony outside calcutta set up by a retired judge,Mr. Sen with misfits, criminals and outcasts.The judge initially comes to Byomkesh with a minor case, that of finding out the origins of a movie song, but the plot thickens when the judge himself is murdered.The sheer number and nature of the suspects involved is huge and complex, but one never feels that Ray fails to do justice to any of the characters, and in a film where he could have easily have lost his grip on the screenplay, he excels.
The story and screenplay is a must study for all the current Bollywood directors who are trying to come up with multiple story movies like saalam-e-ishq or HTPL.
The ideas, the treatment and the dialogues are excellent.The twists and turns leave you spellbound.The murder leads to another one, that of a witness and you see secrets tumbling out of the closets of the colony where each character has a notorious past.With subplots ranging from illicit relationships to failed marraiges, to a doctor with a criminal past and a tollywood startlet who faded into oblivion after a single hit, the complexity of a whodunit does not get thicker than this.
Finally as Byomkesh says, he was able to solve the case as he trusted no one, not even Ajit, but only his pet snake, Basuki.
Acting wise Uttam delivers a knockout performance, straying away from his ritiualistic romantic image.The film is a milestone of Uttam Kumar's film career as he won Bharat Award for this film.Uttam forces one to wonder what would have happened had he played 'Feluda' in the other whodunits by Ray.I know, Soumitra has his own fan following and i am also a huge fan of his and the Feluda movies,but Uttam's potrayal of Byomkesh is bang on and perfect, to say the least.
For the cinephiles, this is a must watch( even with the unapt subtitles) and for the novice, there is nothing like it to spend your sunday afternoon with a cup of tea and hot pakoras at the 'Chiriyakhana'.
The directorial craftsmanship of Ray, acting excellence of Uttam, storytelling of Saradindu Banerjee and the charecter of Byomkesh Bakshi( the true indian inheritor of sherlock holmes).So, when i started watching it,i expected nothing short of a masterpiece.And what i saw was nothing short of one.
Nothing, it seems, can take away the fire. Ray's eye for detail and the old magic of his genius can't let go of this one too, a tour-de-force. The camera is wielded like a conductor's baton as it strikes chords deep in the mind. For first timers watching Byomkesh,the characterisation is swift and deft and for Byomkesh fans,it takes his fan following to levels of fanatism.Be it the setting of his room, be it the phisophical talks with Ajit( His watson), the setting up of the suspense, Ray shows how a movie made in 1967 was still way ahead of its times, and one sadly feels while watching that no single bollywood director has been able to match up to this kind of filmmaking till now, even in the 2000s when the technology has advanced so much.Ray proves that a story and story alone makes a movie and nothing else!!.
I, in no way fit to review and comment on Ray would take the liberty of marking it as one of Ray's best, but in an interview with Cineaste magazine, Ray described Chiriakhana (The Zoo) as his most unsatisfying film. He said, "Chiriakhana's a whodunit, and whodunits just don't make good films. I prefer the thriller form where you more or less know the villain from the beginning(the format he follwed in Sonar kella and Joi baba felunath years later with one of his greatest muses 'Felu mitter' ). The whodunit always has this ritual concluding scene where the detective goes into a rigmarole of how everything happened, and how he found the clues which led him to the criminal. It's a form that doesn't interest me very much". It's after reading comments like this that you realise that how much of learning is still left in the art of Filmmaking.
Coming to the story, An out an out whodunit which takes place in post independence bengal, in a colony outside calcutta set up by a retired judge,Mr. Sen with misfits, criminals and outcasts.The judge initially comes to Byomkesh with a minor case, that of finding out the origins of a movie song, but the plot thickens when the judge himself is murdered.The sheer number and nature of the suspects involved is huge and complex, but one never feels that Ray fails to do justice to any of the characters, and in a film where he could have easily have lost his grip on the screenplay, he excels.
The story and screenplay is a must study for all the current Bollywood directors who are trying to come up with multiple story movies like saalam-e-ishq or HTPL.
The ideas, the treatment and the dialogues are excellent.The twists and turns leave you spellbound.The murder leads to another one, that of a witness and you see secrets tumbling out of the closets of the colony where each character has a notorious past.With subplots ranging from illicit relationships to failed marraiges, to a doctor with a criminal past and a tollywood startlet who faded into oblivion after a single hit, the complexity of a whodunit does not get thicker than this.
Finally as Byomkesh says, he was able to solve the case as he trusted no one, not even Ajit, but only his pet snake, Basuki.
Acting wise Uttam delivers a knockout performance, straying away from his ritiualistic romantic image.The film is a milestone of Uttam Kumar's film career as he won Bharat Award for this film.Uttam forces one to wonder what would have happened had he played 'Feluda' in the other whodunits by Ray.I know, Soumitra has his own fan following and i am also a huge fan of his and the Feluda movies,but Uttam's potrayal of Byomkesh is bang on and perfect, to say the least.
For the cinephiles, this is a must watch( even with the unapt subtitles) and for the novice, there is nothing like it to spend your sunday afternoon with a cup of tea and hot pakoras at the 'Chiriyakhana'.